1. In the course of my sound walk my coin flipping method kept leading me into thick woods, trampling over sticks and brush, not leaving me with very clear sound. During my recording in the Estabrook Skatepark there were numerous things going on at once and capturing one sound out of everything was difficult. Editing those parts in the skatepark were also tricky, because of all the dissipating sound.
2. The first time I felt astoundingly comfortable was when I walked into the woods in the park and couldn’t see any buildings or urbanity. Although I could still here the traffic on Capital quite well the visual I got was very serene. When recording at the Skatepark, and having the sound of the wheels engulf my entire hearing, it felt so incredible, not soothing or relaxing but exhilarating. The sound was everywhere non-stop like the traffic of skateboards.
3. Well to be honest I felt like a total nincompoop walking around with those microphones, but if I got close enough to somebody to actually explain myself to them, I took full advantage to justify my peculiar actions and devices. I wanted to record some of the skateboarders at Estabrook more intimately, by following them with the microphones, instead of rejecting my requests they embraced them and although I never used the sounds I recorded from them they were determined to land the trick they were trying, that I was recording, in order to produce a crisp clean sound for me. When I went on the first mock sound walk with Amir outside around campus I was thrilled to know how powerful the microphones actually were, they enhanced my hearing noticeably.
4. My favorite part of Drift one was definitely walking around with Brad following bikers and recording them with our mic’s and laughing hysterically. Also listening to all the raw footage of the myself talking, all the profanity and how I sound different when I hear myself recorded.
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